Benjamin Tuttle spent years designing for a Brooklyn microcinema – it all led him to Netflix’s Beef

The title 'BEEF' is overlaid in large, serif, white capital letters, dominating the composition. The text is placed over the figures, obscuring parts of their faces and clothing. The background features two figures in period attire, suggesting a historical or dramatic setting.

The image uses a high-contrast, richly colored palette, drawing from the original artwork. The typography is bold and classical, contrasting with the photographic/painted quality of the figures.