Eric Shaw's abstract looped paintings start as digital sketches

Flat-e tells us how it made a visual interpretation of Daniel Avery's record in its entirety

When is a piece of work disposable? Philotheus Nisch on tending to the “outtakes, leftovers and discarded variations”

Pavel Ripley’s creative process thrives on “controlled randomness”

Stunning piece of sci-fi animation from Adam Wells in The Circle Line

Art: Eric White makes your favourite films seem sinister in his hyper-real paintings

Loïc Altaber’s reductive practice favours simplicity, not minimalism