Graphic designer Cecilia Serafini uses typography with vibrant panache

Graphic Design: Some tremendous typographic book covers from Astrid Stavro

It's Nice That Graduate and typography fanatic, Rachel Treliving

“The more, the weirder, the better”: Csenge Csató on unlearning everything she was taught about typography

Claudia Rubín on designing at pace for The New York Times Magazine

Cecilia Serafini’s simple shapes and pretty palettes belie more serious undertones

Graphic Design: Christina Magnussen's portfolio is bright and beautiful

Andrej & Andrej’s identity for Isadore mimics the speed and rhythm of cyclists in a peloton

Daria Cohen’s personal website