Takeshi Miyasaka is “interested in contours and shapes rather than objects”

Meet Paul Bergès, a graphic designer who draws alphabets with the same freedom as he constructs images

How great ideas can emerge from discomfort and self-analysis

Volume presents a long-overdue monograph on Japanese type master Takenobu Igarashi

Fumi Nagaska on how her work treads the line between fine art and documentary photography

Cihan Tamti on typographic legibility, his new book of posters and attracting the viewer’s attention