
Painting
Pair of Manuscript Covers with Buddhist Deities
Two horizontal rectangular panels, each featuring a row of eight individual, symmetrically arranged figures. The figures are seated or standing within individual, stylized niches or mandorlas, suggesting a narrative or devotional sequence. The composition is highly repetitive and rhythmic, emphasizing the collective presence of the deities.
The artwork appears to be painted on a rigid, flat surface, possibly wood or treated cloth, suggesting a portable or architectural decorative element. The style is characteristic of traditional South Asian religious painting, utilizing bold outlines and rich, earthy pigments.
Closest kin

Painting
Green Tara Dispensing Boons to Ecstatic Devotees: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom)

Painting
Initiation Card (Tsakalis): Vairochana

Painting
Shakra Enthroned, with a Deva and Generals: Folio from a Kalpasutra Manuscript

Painting
Harinaigamesin Brings the Embryo to Queen Trisala: Folio from a Kalpasutra Manuscript

Painting
The Adoration of the Magi (1410)

Painting
King Siddhartha Tells Queen Trisala the Meaning of the Fourteen Dreams (left) and The Interpretation of Dreams (right): Folio from a Kalpasutra Manuscript

Painting
Irises

Object
Plaque with Doubting Thomas