Serbian antisemitic propaganda poster “His Weapons: Democracy, Masonry, Communism, Capitalism,” 1941

The central figure is a grotesque, exaggerated portrait of an old man with a long, flowing beard, dominating the frame. The composition is highly dramatic, using strong contrast and foreshortening. The lower half of the figure's body is replaced by serpentine forms, each coiled around a symbolic object or concept (Democracy, Masonry, Communism, Capitalism), suggesting the figure's power emanates from these 'weapons.' The text is placed at the bottom, anchoring the message.

The style is highly illustrative and propagandistic, utilizing strong chiaroscuro and dramatic shading typical of early 20th-century political art. The medium appears to be lithography or a similar printmaking technique, giving it a stark, high-contrast black-and-white appearance.