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A working library of design, type, and visual culture.
66 works match
Identity
2025Uniforma’s brand identity for Polish nightclub Schron is utiliarian yet expressive
2025
Project
2016The classical and the crude combine to represent the multiple facets of The Arab City
2016
Project
2012Bright, bold wood-block prints from Polish character designer Roman Klonek
2012
Publication
2022Dripping in “Arab nostalgia”, 3asal mag platforms MENA creatives who are abandoning conformity and thrashing outdated stereotypes
2022
Project
2019Oliwia Bober's illustrations combine Polish folklore and her personal feelings
2019
Poster
2012New Eye Sea Posters show brings retro Polish poster design to life
2012
Project
2013Bokja's crafty Arab Spring inspired textiles are oddly compelling
2013
Motion
2022Arab pop music meets 80s video game aesthetics in Moath Bin Hafez’s pixel art creations
2022
Project
2020Agnieszka Sejud reflects on fake news in Poland in her frenzied collages
2020
Project
2011Ilona Karwinska: Polish Cold War Neon
2011
Project
2019Viacheslav Poliakov shoots the “folk-baroque-industrial mess” of Ukraine and Poland
2019
Project
2021The personal is political: Haitham Haddad’s journey to bring Arabic back to public spaces in Palestine
2021
Identity
2022Studio 40Mustaqel challenges the discourse of design in the Arab Swana region
2022
Project
2013Magnificent retelling of Arabian Nights from the brilliant Noa Snir
2013
Project
2009Warsaw Made
2009
Motion
2015Stunning Polish film posters a'plenty over at the BFI
2015
Identity
2015Polish designer creates sculpture-inspired identity for arts festival
2015
Publication
2020Lyon Arabic is the new counterpart of a Commercial Type favourite, informed by Naskh and Nastaliq scripts
2020
Project
2017Photographer Zuza Krajewska's fragile portraits of Polish young offenders
2017
Identity
2026Vintage Arab cassette tapes inspired Sometimes Always’ fiery identity for Fouta Harissa
2026
Project
2018Mohamad Abdouni on documenting an “important time in Arab queer culture”
2018
Motion
2015A Le Corbusier-inspired identity for a Polish architecture foundation and film festival
2015
Identity
2026Why minimalist aesthetics (smuggled in as the language of progress) are stifling truly Arab design
2026
Project
2019Polish graphic designer Natalia Pawlak on bad taste and reinterpreting Polish kitsch
2019
Project
2012Rafal Milach has caught our eye with stunning images of Poland and beyond
2012
Identity
2019Turbo’s identity for the Lesser Amman Library is a masterclass in the potential of Arabic type
2019
Publication
2020We dive into a new archive of over 1,000 book covers from the Arab world
2020
Project
2022Type foundry Boharat Cairo on the vast possibilities of Arabic type design
2022
Project
2013Check out Polish creative Formallina's knitted heroes calendar!
2013
Project
2016Polish illustrator Gosia Herba interprets myths and legends in pastel tones
2016
Project
2015Polish creative Lukasz Pachalko’s graphic design project addresses the issues surrounding dyslexia
2015
Poster
2015Polish design practice Syfon Studio teaches us a thing or two about poster design
2015
Project
2013Polish born, Barcelona-based photographer Asia Chmielewska is a real talent
2013
Identity
2020Patryk Hardziej explores a modernist approach to corporate design in Communist Poland
2020
Motion
2026James Stuart is railing against boring design with techniques inspired by the spirit of Arabic hardcore music
2026
Project
2015Cute and scary and great work from Polish artist Paweł Mildner
2015
Project
2016Active Arab Women: Lara Al-Hadeedi records the determination of sporting Kuwaiti women
2016
Poster
2019Symbols of freedom "and the struggle for it": a look at the Polish School of Posters
2019
Publication
2026Samar Maakaroun’s visual identity for The Mosaic Rooms challenges reductive narratives around Arab identities
2026
Identity
2017Photographer Alicja Dobrucka documents tragedy and Polish identity in new book
2017
Publication
2019Arabic and Latin typography don’t have to mimic each other to be harmonious says Montasser Drissi
2019
Publication
2021Warsaw-based UVMW designs a playful, hand-drawn wayfinding system for a music school in Poland
2021
Publication
2024The View From Cairo: how Helmi Eltouni’s al-Hilal book covers carved a modern Arab aesthetic
2024
Project
2012Brilliant Lacombe sisters' show Hey'Ya featuring Arab sportswomen opens in London
2012
Poster
2008Polish Poster
2008
Identity
2016Marta Gawin’s type-based identity celebrates the Polish city of Katowice
2016
Publication
2021“I am trying to show what home looks like for me”: Illustrator Dom Campistron shines a light on queer stories from Basque culture
2021
Motion
2015Michal Markiewicz’s smart, creative identity for a Polish drone filming company
2015
Project
2016Warsaw creative Peter Tarka creates tidy CGI illustrations
2016
Motion
2022Voices of mass demonstration in Poland inspire this new folkloric animation
2022
Project
2021What’s in store for the future of Arabic visual culture? Archief Cairo on communicating across borders
2021
Poster
2021From Rihanna at Barnbrook Studios, to a queer Arab archive: Marwan Kaabour’s graphic design is incredibly bold
2021
Project
2014Stunning Polish Op-art works created in isolation finally celebrated
2014
Project
2016Drifting SUVs in the Arabian desert: Peter Garritano explores the world of hajwalah
2016
Project
2015The Polish studio creating a stir on Warsaw’s art scene
2015
Project
2015Eerie monochrome photographs at Poland's last Brutalist train station by Michał Łuczak
2015
Publication
2022Hussein Alazaat on children’s books from the 60s-90s and why they demonstrate the “highest peak of Arabic book-making history”
2022
Typeface
2022Three Dots Type explores the importance of arrows and the lettering of 20th Century Polish trains in its experimental typographic work
2022
Publication
2024“The key is irregularity”: This Arabic font is made to accommodate dyslexic readers
2024
Project
2021Preserving Syrian design history and graphics in the Arab world: Meet the Syrian Design Archive
2021
Project
2018Chantal Jahchan explores the Arabic type design landscape and concepts of modernity in En Route
2018
Project
2014Polish illustrator Gosia Herba combines a unique style with a Cubist slant
2014
Project
2012A mightily impressive portfolio from Polish illustrator Marta Slawinska
2012
Project
2016Polish illustrator Jaroslaw Danilenko’s comic-like still life illustrations
2016
Identity
2021Graphic designer Lana Soufeh goes back to her roots in a creative exploration of Arabic type-led design
2021
Motion
2016Pioneer of the Polish avant-garde: illustrator, filmmaker and set designer Franciszka Themerson
2016