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A working library of design, type, and visual culture.
61 works match
Project
2011Numen/For Use: Tape Melbourne
2011
Publication
2022Dripping in “Arab nostalgia”, 3asal mag platforms MENA creatives who are abandoning conformity and thrashing outdated stereotypes
2022
Project
2025Craig & Karl’s inflatable Cosmos welcomes Melbourne’s commuters with smiles, shapes and surprises
2025
Project
2016The classical and the crude combine to represent the multiple facets of The Arab City
2016
Project
2018New work by Melbourne studio Lost Art gives us "reasons to be cheerful"
2018
Project
2013Graphic Design: Australian-based Process Journal gets impressive new look and feel
2013
Project
2013Bokja's crafty Arab Spring inspired textiles are oddly compelling
2013
Motion
2022Arab pop music meets 80s video game aesthetics in Moath Bin Hafez’s pixel art creations
2022
Project
2024Justin Williams’ paintings take inspiration from an infamous Australian cult
2024
Project
2013Elenberg Fraser's staggering myth-inspired infinite lobby for Melbourne apartments
2013
Project
2021The personal is political: Haitham Haddad’s journey to bring Arabic back to public spaces in Palestine
2021
Identity
2022Studio 40Mustaqel challenges the discourse of design in the Arab Swana region
2022
Project
2013Magnificent retelling of Arabian Nights from the brilliant Noa Snir
2013
Project
2012Simon Bent is painting Melbourne multi-coloured with his vibrant design
2012
Publication
2020Lyon Arabic is the new counterpart of a Commercial Type favourite, informed by Naskh and Nastaliq scripts
2020
Project
2012Our new Here profile focusses on stunning Australian body architect Lucy McRae
2012
Identity
2026Vintage Arab cassette tapes inspired Sometimes Always’ fiery identity for Fouta Harissa
2026
Project
2018Mohamad Abdouni on documenting an “important time in Arab queer culture”
2018
Project
2011Young and Free: Australian Street Art
2011
Identity
2026Why minimalist aesthetics (smuggled in as the language of progress) are stifling truly Arab design
2026
Identity
2015Australia-based Grosz Co. Lab create colourful identity for architecture firm
2015
Identity
2019Turbo’s identity for the Lesser Amman Library is a masterclass in the potential of Arabic type
2019
Publication
2020We dive into a new archive of over 1,000 book covers from the Arab world
2020
Project
2022Type foundry Boharat Cairo on the vast possibilities of Arabic type design
2022
Publication
2025Discover Australia’s smallest museums, and the strange treasures they hold
2025
Project
2016Interbrand Australia’s monochromatic rebrand of the Sydney Opera House
2016
Project
2014Rennie Ellis' amazing photographs of Australia’s infamous and famous
2014
Motion
2026James Stuart is railing against boring design with techniques inspired by the spirit of Arabic hardcore music
2026
Project
2016Active Arab Women: Lara Al-Hadeedi records the determination of sporting Kuwaiti women
2016
Project
2015Australian studio M35 designs collateral for creative conference Semi-Permanent
2015
Publication
2026Samar Maakaroun’s visual identity for The Mosaic Rooms challenges reductive narratives around Arab identities
2026
Publication
2019Arabic and Latin typography don’t have to mimic each other to be harmonious says Montasser Drissi
2019
Publication
2024The View From Cairo: how Helmi Eltouni’s al-Hilal book covers carved a modern Arab aesthetic
2024
Project
2012Brilliant Lacombe sisters' show Hey'Ya featuring Arab sportswomen opens in London
2012
Publication
2012Toko's new Formations book highlights the best of Australian architecture
2012
Project
2019Simon Bent of Australian foundry Metis on taking type to the limits of legibility
2019
Photograph
2024This photobook chronicles the story of the most photographed person in Australia
2024
Motion
2020Tomorrow’s on Fire is a “rallying cry for hope” in response to Australia’s bushfires
2020
Project
2014Photography: Unbelievable shots of Australia's enormous salt mines
2014
Project
2019Jieun Lee paints Australian scenes where she fell in love with traveling
2019
Project
2015Ricky Gervais gives literally no sh*ts in new Netflix Australia adverts
2015
Publication
2021“I am trying to show what home looks like for me”: Illustrator Dom Campistron shines a light on queer stories from Basque culture
2021
Motion
2013Graphic Design: Australian studio round ace Jewish film festival identity
2013
Project
2018Friday Mixtape: Australian designer Bradley Pinkerton's welcomes the summer
2018
Project
2013Simple, striking graphic design from newly-formed Melbourne studio Hunt & Co
2013
Project
2015Some nice retro illustration from Australian artist Adam Nickel
2015
Identity
2021Australian graphic design studio The Colour Club has created a masterful brand identity for Sydney restaurant Dopa
2021
Project
2021What’s in store for the future of Arabic visual culture? Archief Cairo on communicating across borders
2021
Poster
2021From Rihanna at Barnbrook Studios, to a queer Arab archive: Marwan Kaabour’s graphic design is incredibly bold
2021
Project
2016Drifting SUVs in the Arabian desert: Peter Garritano explores the world of hajwalah
2016
Identity
2017M35 creates a topographical identity for a project about Australia's rural landscape
2017
Publication
2022Hussein Alazaat on children’s books from the 60s-90s and why they demonstrate the “highest peak of Arabic book-making history”
2022
Publication
2024“The key is irregularity”: This Arabic font is made to accommodate dyslexic readers
2024
Project
2021Preserving Syrian design history and graphics in the Arab world: Meet the Syrian Design Archive
2021
Project
2014Mad Max-esque shots of the Australian outback from Wouter Van de Voorde
2014
Project
2018Chantal Jahchan explores the Arabic type design landscape and concepts of modernity in En Route
2018
Project
2017The delectably layered paintings of Australian artist, Jordan Kerwick
2017
Project
2013Australian artist Magdalena Bors turns mundane settings into beguiling fantasy worlds
2013
Project
2021Simplicity as a framework for flexibility: TRiC rebrands Australia’s Human Rights Law Centre
2021
Project
2017Simon Eeles’ photographic series is “a tender and wry postcard” from Australia
2017
Identity
2021Graphic designer Lana Soufeh goes back to her roots in a creative exploration of Arabic type-led design
2021