Cutting, printing and working with spaghetti: Ine Meganck blends analogous design techniques with the digital

Arabella Simpson makes an “illustrated spaghetti” of global objects

Pouya Ahmadi hints to extreme opposites at the same time in his concept-driven design practice

Graphic designer Ben Hutchings on interstellar signals and isometric pasta packaging

Niccolò Debole’s graphic design incorporates found objects and analogue processes

Minimalist graphic designer Giulia Boccarossa tells us how her background in classical studies influences her creative work

“Understand the rules so you can break them with confidence” – Ian Party on his type design studio, Newglyph

Arthur Teboul Zaïane on incorporating data and diagrams into the design process

Graphic communication students at CSM have come together to create a cookbook

Anna Haas’ structured yet anarchic approach to graphic design

Graphic designer Han Gao uses text and reading as the main method for creating

Graphic designer Ira Ivanova treats each project like a game where you set your own rules

Elizabeth Goodspeed on untangling credit in design