Uniforma’s brand identity for Polish nightclub Schron is utiliarian yet expressive
2025
Dripping in “Arab nostalgia”, 3asal mag platforms MENA creatives who are abandoning conformity and thrashing outdated stereotypes
2022
Bright, bold wood-block prints from Polish character designer Roman Klonek
2012
The classical and the crude combine to represent the multiple facets of The Arab City
2016
Oliwia Bober's illustrations combine Polish folklore and her personal feelings
2019
New Eye Sea Posters show brings retro Polish poster design to life
2012
Bokja's crafty Arab Spring inspired textiles are oddly compelling
2013
Arab pop music meets 80s video game aesthetics in Moath Bin Hafez’s pixel art creations
2022
Ilona Karwinska: Polish Cold War Neon
2011
Agnieszka Sejud reflects on fake news in Poland in her frenzied collages
2020
Wrocław, Ofiar Oświęcimskich 38-40 - fotopolska.eu (316284)
1911
Poelzig Photo Junkernstrasse Detail Wrocław Poland 2006-04-25
1911
Dawny Miastoprojekt fot B.Maliszewska
1911
BudynekFeniksa-RzeźbaNarożna-RynekGłówny-POL, Kraków
1932
Biurowiec (Hansa Poelziga) „Miastoprojekt” Wrocław (01)
1911
Cracovia (Polonia) Kraków (Polska). - 52635027341
1932
Wrocław - fotopolska.eu (340567)
1911
Dawny Miastoprojekt fot BMaliszewska
1911
Wrocław - Ofiar Oświęcimskich 38-40
1911
W 100 lecie łódzkich telefonów
1929
Wroclaw-Junkernstrasse-Poelzig
1911
Kraków, Budynek Feniksa w Krakowie (Rynek Główny), rzeźba
1932
Kraków, Budynek "Feniksa" - Rynek 41 - fotopolska.eu (241778)
1932
Parkview Square from Arab Street
2002
Poelzig Photo Junkernstrasse Attic Wrocław Poland 2006-04-25
1911
Krakow Feniks Higieja
1932
Wrocław, Ofiar Oświęcimskich 38-40 - fotopolska.eu (293104)
1911
Poelzig Photo Junkernstrasse Corner Wrocław Poland 2006-04-25
1911
SM Wrocław Ofiar Oświęcimskich 38-40 ID 599147
1911
Viacheslav Poliakov shoots the “folk-baroque-industrial mess” of Ukraine and Poland
2019
The personal is political: Haitham Haddad’s journey to bring Arabic back to public spaces in Palestine
2021
Masked Figure Pendant
-100
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes
1655
Crocodilian Nose Ornament
1
Pair of Gold Ear Ornaments
1175
Anthropomorphic Pendant
400
Masked Figure Pendant
-100
Costumed figure pendant
100
Animal-Headed Figure Pendant
100
Anthropomorphic figure pendant
400
Lime Dipper or Pin, Figure
400
Poporo (lime container) with female figures
1
Gold Necklace Ornament
200
Anthropomorphic Bird Figure
-240
Bowl with Flared Sides
800
Ornament with three balls
1200
Male Figure on Stool (tunjo)
900
Poporo (Lime container)
-300
Anthropomorphic Pendant
400
Anthropomorphic Pendant
400
Bowl with Stippled Designs
800
Pendant, Stylized Figure
400