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creative industry
A working library of design, type, and visual culture.
74051 references · 73 visual
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74051
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109
Project
2024
“Stay proactive and start using that power you have”
Project
2019
Tune into the latest tools and imaginative possibilities at the Adobe MAX Creativity Tour
Project
2024
POV: Unpaid pitching is a symptom of a broken system
Project
2016
Why I’d like the creative industry to be more like a UK techno night
Project
2025
“The first task is going to be regaining your confidence”
Project
2017
Here 2017 - It's Nice That's annual creative conference
Project
2025
An outsider’s advantage: MullenLowe on nurturing original perspectives
Project
2025
POV: Where has the money gone?
Project
2017
Mirror mirror: Superimpose Studio on the problem of mimicry in the creative industry
Project
2025
“Be super upfront about what you want – and passionate about why”
Project
2016
Is it ever OK to work for free?
Project
2015
Do illustrators need an agent, and what do they actually do?
Project
2017
MullenLowe Group’s Global Creative Officer José Miguel Sokoloff on judging CSM's degree shows
Project
2015
Our final creative portfolio advice article – how to get your work out there
Project
2019
Tickets are now available for August's Nicer Tuesdays!
Project
2024
“Now for the answer you might not want. Stakeholder management is really similar to having clients.”
Project
2022
The Balancing Act: What the past two years can teach us about creative, work and life balance
Project
2019
Ten leading lights from the creative world on their “moment” of the decade
Project
2025
“Perhaps it’s a good opportunity to take any ‘corporate’ work out of your deck”
Project
2025
“A lot of agencies have their own internship schemes or ways of entry”
Project
2025
“Bigger studios [are] most likely to have the means to sponsor someone like you”
Project
2019
Tickets are now available for December’s Nicer Tuesdays!
Project
2015
Jan Buchczik's words of advice for illustrators looking for commissions
Project
2025
“It’s imperative we have age diversity in creative teams”
Project
2022
Creativity isn’t carbon neutral: How complicit are agencies in the climate crisis?
Project
2024
Frontify’s new interview series sees creative experts answer your burning questions about AI
Project
2017
Why is the UK creative industry still missing the most promising young people?
Project
2025
“Most creative directors don’t have any management training”
Project
2025
At Adobe MAX LA 2025, creativity is still the name of the game
Project
2014
Damon Albarn and Stefan Sagmeister interviewed for new Creative Class site
Project
2021
How comedy can challenge our beliefs by holding a mirror up to society
Project
2020
Why do we judge creative decisions as simply good or bad?
Project
2017
Three art directors discuss the balancing act between personal style and client expectations
Project
2020
Review of the Year 2020: Top 25 News
Project
2012
More speakers added to the line-up of our one-day extravaganza – Here 2012
Project
2023
Connecting freelance creatives with agencies and brands, Bravò Network is shaking up the traditional model
Project
2009
Hyperisland
Project
2023
Oh a renaissance! The state of the creative industry from a Black perspective
Project
2019
AI personality consultant to digital matte painter: The creative jobs you didn’t know existed
Project
2024
“I hope that in 2025 we’re creating roles for people outside the industry”
Project
2025
“I do think for the industry right now staying relevant is key”
Project
2018
Girls On Top: Grey London's joint-CCO Caroline Pay talks female leadership in ad land
Project
2020
A list of resources to shift your perspective on the creative industry
Project
2024
What went down at Adobe MAX London and how to catch up on the action
Project
2025
“A longer wish list could narrow down your job search”
Project
2024
“You’ve acknowledged that your current situation isn’t working – so what do you stand to gain?”
Project
2025
“I think a lot of the issues in the industry stem from ‘bad managers’”
Project
2008
Creative30
Project
2021
Job hunting in the creative industry while autistic: “We have to pretty much hide our traits”
Project
2026
“Try reaching out to some founders”
Project
2023
Shades of Intelligence: 83% of creatives are already using machine learning tools – is now the time to get on side with AI?
Project
2024
“Any experience is good experience at the beginning of your journey”
Project
2015
Do newly graduated creatives need an agent to get work? We ask the experts
Project
2022
Review of the Year 2022: Top 50 Most Read
Project
2024
“Any employer who is hiring won’t look at your redundancy as a reflection on you”
Project
2016
Should account handlers and project managers be awarded like creatives?
Project
2025
New Views: what do Gen Z think about the future of the creative industry?
Project
2021
Introducing The Next Generation 2021!
Project
2021
What’s the cost? Creatives tell us what they actually charge for projects
Project
2026
“At 28, you are absolutely not too old for this industry”
Project
2026
How can I make my clients take me seriously?
Project
2024
“No matter the sector, brief, even country, ideas are the common currency”
Project
2018
Adobe hosts a Creative Meetup with some of the creative industry’s leading innovators
Project
2026
“It seems to be something we can’t avoid”
Project
2022
Trevor Jackson, The Earth Issue, Butt Studio, Nwaka Okparaeke: Tickets are now available for September’s Nicer Tuesdays!
Project
2026
“Make your work as easy to find as possible”
Project
2023
Lazy Oaf, Can Yang and Keerthana Kunnath: Tickets are now available for May’s Nicer Tuesdays!
Project
2014
Opinion: Help us out – what makes a great creative conference?
Project
2026
POV: The creative agency model is dead – that’s why I shut mine down
Brand
2019
Brutally Honest: Strategies to evolve your creative business
Project
2022
Review of the Year 2022: Top 25 Talks
Brand
2016
Branding in the Press
Project
2024
Creatives’ legal FAQ: lawyers answer the big questions creatives always ask them
Project
2023
Meet the winners of Young Guns 21
Project
2022
Anonymous agency interviews reveal juniors eager for attention – and seniors on their phones
Brand
2025
The Omnicalm before the Storm
Project
2018
What threat does technology pose to the creative industry? Four design leaders share their thoughts
Project
2025
Light and Shade: exploring creativity’s AI conundrum
Project
2024
Hassan Rahim, Karlotta Freier, Poupay, Mythology: Tickets now available for June’s Nicer Tuesdays in New York!
Project
2016
First Hand: Lecture in Progress asks creatives to share their experience of working in the industry
Project
2021
Zak Group, 4Creative, Annie Lai and Lily Kong: Tickets are now available for November’s Nicer Tuesdays!
Project
2022
Surveying the animation boom and its effects on the creative industry
Project
2022
Follow Their Lead: Why you should work with women-led creative agencies
Project
2022
Industry jargon is all about power and exclusion – surely it’s time to cut out the BS?
Brand
2024
The Less you Pitch
Project
2015
Should creatives ever accept unpaid work? We ask some seasoned experts
Brand
2013
New Identity for and by Evidently
Project
2019
Don’t let fear or excuses dictate your opportunities: tips for presenting in the creative industry
Project
2022
Us vs Them: We welcome Richard Turley as the latest It’s Nice That guest editor
Project
2021
Why and how you should keep learning throughout your creative career
Project
2013
Rami Niemi takes on the creative industry in ace illustrations for the ADC Annual
Project
2020
How to support junior creatives with the skills they need to grow
Brand
2020
New Logo and Identity for M.AD School of Ideas by COLLINS
Brand
2024
First Round LAX: Speakers Announced
Project
2024
POV: Timesheets are hated by creatives – so why have we enforced them?
Project
2016
How I Got Here: Richard Turley, creative director MTV
Project
2022
Joy Yamusangie, Joseph Melhuish, Anna Mills, Henry J. Kamara: Tickets are now available for August’s Nicer Tuesdays!
Brand
2023
First Round DEN: Speakers Announced